Accessing VR: Don’t Leave Disabled People Behind

Neon outline of a person's head with disability symbols inside. There is a VR beam

by Erin Hawley

After watching a Polygon video titled “VR is Good Now,” I commented that VR games are not accessible for many disabled users, and I worry that this trend toward VR will, like modern console gaming, leave many disabled people behind. While game accessibility is starting to be a topic picked up by major news outlets, there was a long period of time where that conversation was mostly silent. Disabled people talked about it, and expensive or complex solutions were available (expense is part of accessibility, especially for many disabled people living on Social Security Income), but mainstream media was not interested in our needs.

The Xbox Adaptive Controller (XAC) is a fantastic move toward making consoles more accessible and creating mainstream dialog; while its invention opens Xbox gaming to more people, it hasn’t solved everything. PlayStation and Nintendo need to catch up. We still need game design that works better for D/deaf, blind, and/or developmentally disabled people. Games with complex control mapping and button sequences are still an access barrier, even with the XAC. This is why we need to start talking about VR accessibility now, while the technology is still in its infancy. The conversation must be one for today rather than one for ten or twenty years in the future when a major company finally decides to listen to us.

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Black Disabled Art History 101 – Book Review

Image of a black man in a room, a young black boy projected behind him on the wall

Guest blogger: Jackie Pilgrim is an advocate diagnosed with Asperger’s, mother to a young adult also on the Autism Spectrum, and an International Speaker on Autism and Intellectual Disabilities. You can find her on Facebook, as well as on her blog, AutismsLove.

A young Black boy born with a physical disability learns about Black disabled musicians from the album covers of his father’s record collection. Later, he would come to realize the strength he gained from seeing those images and listening to their music when having to face teachers and other adults constantly telling him there were no artists who were Black and disabled like him. Leroy Moore’s passion kindled when he was a little boy has come full circle as he draws from his childhood discovery of not being the only, but being one of many Black disabled artists.

Black Disabled Art History 101 will open airways and doorways for Black disabled children’s imaginations to soar as they aspire to become artists or whatever else they want to be. Like Leroy, they too will draw strength from the images, knowledge, music and written words about and born of disabled Black artists. Readers of all ages will enjoy discovering a genre of history little known, beautifully crafted with colorful portraits of artists and their work interwoven with poetry in an age old storytelling style.

Black Disabled Art History 101 is a chronicle of art history unlike any other.

This is only the beginning.

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