Warning: spoilers for the book and first three episodes beyond this point!
After the first three episodes of The Handmaid’s Tale aired on Hulu, folks were rightfully horrified by the scene where June (later known as Offred) and her fellow women coworkers were fired; the women in that fictional world also lost access to their bank accounts and credit cards, ushering in the Republic of Gilead, the authoritative regime that took over the country. While this scene was chilling, it didn’t impact or disturb me as much as intended. Why? Because this dystopian fiction is a reality for many disabled people, especially those who are multiply marginalized – like queer and trans disabled women of color. As a disabled latina, I’ve already lived through, and continue to live through, that scene in the show. Let me break down what I mean. … Read more…
While 2016 has been a difficult year for many, I want to reflect on my favorite things that helped me get through the hardest days. Our joy and entertainment, our binge-watching Netflix or slipping away for a few hours with a good book, will aid us now and in the coming years. I hope you enjoy my Best of 2016 list – in the comments below, let me know what you think of my choices, and what’s on your best-of list!
Best video game: Stardew Valley by Chucklefish
By far my most-played game this year, clocking in at 129 hours and counting. You leave a dull office job and travel to Stardew Valley, a small, struggling community with a farm you’ve just inherited from your grandfather. By growing, harvesting, and selling crops, as well as caring for livestock, you earn enough money to expand your farm and help rebuild the derelict community center. You can also go fishing and mining to level up your character. The game never punishes you too much, and there are no time limits for the overall goals; this eliminates the boring grind of most farming sims. Despite all the hours put in, I feel like I’ve just scratched the surface. Pick this up if you liked Harvest Moon! Available on Steam. … Read more…
We need to keep the conversation going, so please continue using the #CripTrek hashtag to talk about disability representation in Star Trek! You can also share the recap on your own page – don’t hesitate to link to it or tweet about it.
Here is a link to the recap on Storify, or view it in the slideshow below. Thank you to everyone involved! Until then, live long and prosper.
Hey disabled Star Trek fans – let’s let CBS know we’re here and we want disability representation in their new series, Star Trek: Discovery! Using two hashtags, #StarTrekDiscovery and #CripTrek, share an idea, picture, video, audio recording, piece of writing, or other digital representation of YOU and your love of all things Trek. Maybe a pic of the Vulcan salute, a poem confessing your Spock and Bones ship, or a video acting out your favorite scene – be creative!
Tweet at @StarTrekCBS and tell them why you want a disabled character in the cast! Post your contribution with the hashtags on Twitter or Instagram to make sure everyone sees your creation. You can also just share overall thoughts about disability and Trek using #CripTrek – we will keep the conversation going.
On September 1st at 7pm EST, I’ll host a Star Trek and disability Twitter chat along with Alice Wong of the Disability Visibility Project. The Disability Visibility Project™ is a community partnership with StoryCorps and an online community dedicated to recording, amplifying, and sharing disability stories and culture.
To join that chat, log onto Twitter and follow @geekygimp. Starting at 7pm EST, I’ll start posting the questions below, and you can answer using the #CripTrek and #StarTrekDiscovery hashtags. If you have any questions or accessibility concerns, please get in touch with me through the contact page.
Thanks to Mike Mort and his design skills, we have this awesome #CripTrek graphic! Feel free to grab the image and use it as your social media profile pic of choice. The background is transparent to use as you wish. If you have trouble downloading, please contact me.
When I reviewed “The Loss” from Next Generation, I wrote about my general disappointment with the show. At that point, I’d only seen up to season four, and I felt it was bogged down by too many crew meetings and negotiations. Well, now that I’ve seen the series in its entirety, I have to say that I ended up loving it. Season five was an overall masterpiece, especially the episode “The Inner Light” – it changed my attitude toward the show, and the episodes continued to impress until the end of the series. The episode I’m reviewing now, “Ethics,” is the 16th installment from season five. I decided to review it because it’s sort of the opposite of “The Loss”; while there are a few misfires regarding disability, “Ethics” tends to get it right. I expected lots of cringe-worthy moments based on the synopsis and ableist trailer, but was pleasantly surprised by the points raised in the script. So let’s take a look at the episode, and see if you agree.
We open with Worf and La Forge investigating some chemical leak in cargo bay three. As they scan the area, they discuss a recent poker game. Thanks to his VISOR, Geordi can see through the cards, but he only admits to peeking after the hand is over. I liked this little banter between the two because it connects the reality of disability with everyday life. Some suggest that Geordi’s disability/VISOR are only used to make him “special” or “superhuman,” thus falling into a disability trope, but I disagree. His VISOR helps him navigate the world, just like my wheelchair helps me navigate the world. The fact that his VISOR can sometimes be helpful in a mission or, in this case, give him an advantage in a poker game, doesn’t take away from his fully-developed character; he has a backstory, love interests, hobbies, a personality, etc. TNG doesn’t focus on his disability – it is treated as part of who he is, but does not define who he is. What his VISOR can do is just a reality of the adaptive technology of that time period. My wheelchair can do some pretty nifty things as well, but that doesn’t make me “superhuman.” … Read more…
I am not a huge fan of The Next Generation, despite what my Pez dispenser and TNG comic collection might tell you. I haven’t seen every episode yet, but I’ve watched four seasons and I find it difficult to get through at times. I understand the appeal this show has for a lot of people, but many of the episodes are bogged down by meetings and negotiations. The Original Series, while also having meetings and plenty of talky moments, felt more balanced. This may have something to do with Kirk’s ability to challenge and oftentimes defy the Prime Directive, which leaves room for more action and conflict. Despite my somewhat negative outlook of the show, it is still great to analyze and discuss its plots and hit-or-miss attempts at social commentary. The episode I’m reviewing now, titled “The Loss,” is one that stuck out to me because of its weak attempt at disability discourse, and its ability to make my indifferent feelings about Troi switch to complete disgust in only 42 minutes.
The episode opens with Ensign Brooks in a counseling session with Troi. Brooks recently lost her husband, and seems to be in a state of denial. Troi reminds her that it would have been her husband’s 38th birthday, and shows her a music box she’s saved that belonged to him. Brooks breaks down and cries on Troi’s shoulder.
Cut to the bridge. Worf picks up something on the sensors that quickly disappears, and Data is unable to see anything with his equipment. As this is going on, Troi says goodbye to Brooks, and suddenly clutches her head in pain. She enters her room and passes out on the couch. And then…
SPACE! THE FINAL FRONTIER! You know the rest. The opening credits are the best (and least rage-inducing) part of this episode. That should tell you something about where I’m going with this review.
Picard orders Data to resume course to T’lli Beta because there is nothing showing up on the sensors. As soon as he says “Engage!”, the ship jolts and is unable to enter warp. They go to a full stop and yellow alert, but the Enterprise begins moving again – albeit very slowly. Some unknown force is pulling them along. After a failed attempt at breaking free, Data suggests immediate shutdown and Picard does his infamous “Make it so!” They continue to be pulled in the same direction and at the same speed.
Back in Troi’s room, we see her wake up and call Dr. Crusher. She says she feels dizzy, but isn’t sure what happened. After dealing with a few other crew injuries, Crusher arrives and wants to run an internuncial series on her in sick bay. She’s still clearly in distress, so medical scans are probably a good idea.